The Zapotec (Valley Zapotec: Bën za) are an Indigenous people of Mexico. Their population is primarily concentrated in the southern state of Oaxaca, but Zapotec communities also exist in neighboring states. The present-day population is estimated at 400,000 to 650,000, many of whom are monolingual in one of the Native and .
In pre-Columbian times, the Zapotec civilization was one of the highly developed cultures of Mesoamerica that had a Zapotec writing system.
Many people of Zapotec ancestry have emigrated to the United States over several decades. They maintain their own social organizations in the Los Angeles and Central Valley areas of California.
There are four basic groups of Zapotec: the istmeños, who live in the southern Isthmus of Tehuantepec;E.g. see the documentary film Blossoms of Fire the serranos, who live in the northern mountains of the Sierra Madre de Oaxaca; the southern Zapotec, who live in the southern mountains of the Sierra Sur; and the Central Valley Zapotec, who live in and around the Valley of Oaxaca.
For decades it was believed that the exonym Zapotec came from the Nahuatl language tzapotēcah (singular tzapotēcatl), which means "inhabitants of the place of sapote". Recent studies carried out by UNAM argue that it may be a Hybrid word word and should be written Zapochteca or Zaapochteca and comes from "za / zaa" (cloud) and "pochteca" (merchant).Diccionario del Nahuatl en el Español de México, Carlos Montemayor. UNAM (2007), p. 304
The Formative stage, from about 500 BCE to 200 CE of which the periods of Monte Alban I and II are attributed to, is characterized by a shift to sedentary settlements and the practice of agriculture for subsistence. From 200 to 900 CE in the Monte Alban III period, the Classic stage witnessed the rise of social and political structures in the Zapotec civilization. This period also saw a surge in religious activity within the state leadership of the society. Later, during the "Militaristic stage" of Monte Alban IV–V from around 900 to 1521 CE, a rise in military influence common among Mesoamerican societies led states to become mired in warfare and "cults of war".
Notably, while the Virgen de Guadalupe is a notable Catholic figure in most of Mexico and Latin America, the Virgen de Juquila is a Catholic Marian devotion founded in the town of Santa Catarina Juquila, in the Mexican state of Oaxaca. Many Zapotec Catholic people participate in an annual pilgrimage to visit the statue during festivities lasting from December 7 to December 9.
At the time of the Spanish conquest of the New World, church and state were not separate in Zapotec society. In fact, the Zapotec lord was trained in religious practice as a requirement prior to taking power. There were large temples built called yo hopèe, the house of the vital force, in which the priests performed religious rites. In the spiritual realm the pè, or life force, lived within various natural elements including wind, breath and was believed to be the spirit, or vital force, of all beings. The priests, known as Copa pitào, who were mostly selected from the nobility, were provided their religious training before taking a position among the religious hierarchy. Commoners were also selected and trained to join the priesthood, but they were only allowed to join the lower ranks. The highest position was held by the ouija-tào, great seer, who was likened to the Pope in the Catholic church by Spanish accounts of the sixteenth century.Marcus & Flannery Zapotec Civilization 1996 However, the ouija-tào did not live in Monte Alban, but rather in one of the other urban centers of the Zapotecs in the sub-valley area of Mitla. As a polytheistic religion, the Zapotecs attributed several elements of the natural world to their gods. In the religious practice of the Valley Zapotecs, the primary god was Pitao Cozobi who was associated with maize and agriculture. Other gods include, Cocijo the god of rain and lightning (similar to the Toltec god, Tlaloc); Pitao Cozaana the creator of man, animals and the god of ancestors; Pitao Hichaana the goddess of man and animals as well as children, also considered the Mother goddess; Pitao Pezelao god of the underworld, death, and the earth; Copijcha the Sun god and god of war; Pitao Xicala god of love, dreams, and excess.Whitecotton, Joseph The Zapotecs: Princes, Priests, and Peasants 1977
Fast forward to the late 19 centuries and early 20th centuries, the globalization of Oaxaca aided in the process of reconstruction and maintenance of societal structures in Zapotec communities. Specifically, traditionally female gender roles such as maternal and household roles of Zapotec women, otherwise known as social reproduction, shifted to more economic spheres. Women became central figures in regional markets as merchants and weavers, while men's participation in certain sectors of commerce declined. For example, the redivision of labor moved women played parts as merchants and weavers and men's participation began to decline. These shifts contributed to the matrifocal structure in Zapotec communities.
Women are generally free to choose romantic partners; monogamy is valued, but having multiple sexual partners is not. However, for men and women this differs slightly; again for women virginity is regarded as important, even to the extent of publicly displaying the bloody sheet from the wedding night for some, an ancient Mediterranean custom brought by the Spaniards, while unmarried men are encouraged to experiment before they marry. This follows from the fact that "paternity is uncertainty." Women always know a child is their own, but a man cannot be so sure. Thus men need assurance of paternity to be willing to put in decades of support for a child. Within marriage, the degree to which women are able to exercise agency depends on the husband. Some women are very free and have the ability to do as they wish, while others may have very controlling husbands; either way, however, women's freedom is determined by their spouse. "While some men jealously guarded their wives (even insisting on driving them to the marketplace), others allow their wives and daughters considerable independence." The issue of domestic violence is not necessarily commonplace.
However, with the onset of globalized industry and Mexico's transition from an agricultural economy to one revolving around services and manufacturing, the ideas about women and work have been shifting dramatically. Women now see a way that they can participate in the market economy to make extra money for their families, and still are able to maintain the additional work they do at home which has no monetary value. As men are migrating for other, mostly industrial, work opportunities and agrarian work is decreasing, women have come to dominate the textile industry, which caters mainly to tourists. Weaving and factory life has become a way of life for many Zapotec women in Oaxaca.
The industry has had a significant impact on the wage-earning opportunity of Zapotec women. Workers in Teotitlan's textile industry employ a variety of strategies and systems of production from piecework production...increased direct control over production and distribution...weaving cooperatives...establishment of households and small businesses in Oaxaca... to subcontracting of weaving in Teotitlan and surrounding communities."
As women are increasingly working and involved in the market because of their contribution to the industry, the role they have in society is changing in relation to other aspects of their lives.
The merchant has come to symbolize a higher class status than the worker because they are the individuals who essentially control the market. For Zapotec communities, occupations are divided by gender. While men have a place in the industry as overseers, it is still primarily considered to be 'women's work'. Furthermore, even though the manufacturing industry has been thriving on a global scale, because of the gender separation of labor, there is a lower value placed on the work. Local industry is not seen as a glorious business in the Zapotec community because it is essentially controlled by women.
Teotiteco industrial exports, such as textiles, clothing and manufactured goods such as electronics and white goods, are being absorbed into the U.S. consumer market and shifting the local economy of Oaxaca from a small community of workers and merchants and blending them into the global marketplace. The women are producing goods which are being bought and sold not only in Mexico, but also in the United States and the rest of the world.
Although the COCEI still exists as an organization, other Zapotec communities continuously fight for human rights. For example, in the early 2000s Mexico's expansion of mining concessions by 30% on indigenous lands evoked local Zapotec communities to organize against imposition on communal land and violence against protestors. Zapotec women played a crucial part in educating their communities on the implications of these mines on their lawful land. Furthermore, depicting that Zapotec women played a significant role in movements in Oaxaca to protect their cultural roots, rights and land.
There are generally two categories of muxes in Istmo Zapotec, those who identify as muxe gunna(muxe women) and muxe nguiiu(muxe men). Muxe gunna are transgender androphilic male born who typically dress in a more feminine manner. Muxe nguiiu, cisgender androphilic born males that commonly dress in a masculine manner. In terms of their personal relations, most muxes seek out mayates, otherwise known as men within the Zapotec community that identify themselves as heterosexual.
Accounts from the Zapotec community describe muxes as holding respected positions. An account from Alfredo Mirandé states, "The young mayordomo was treated with such respect, such courtesy and deference that it appeared effortless and natural. In this society, he obviously had a place of total and unqualified acceptance." Muxes often wear a native outfit, a Juchiteca skirt and huipil. In Zapotec societies, Muxes are known to take on caregiving responsibilities in their households, such as staying at home to take care of their elderly parents. The presence of muxes in Zapotec society displays that femininity holds great value, indicating the broader matrifocal structure in these indigenous communities
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